Warne Livesey
Taylor Ohrynthe the, Ensoulment album, first studio album in 25 years, Matt Johnson, Warne Livesey, Ensouled world tour, North American tour dates, Beacon Theatre NYC, Shrine Auditorium LA, 2024 tour, alternative rock, art rock, emotional complexity, new album release, B-sides, Frozen Clouds, Lonely Planet in Megalopolis, UK tour, European tour, sold-out tour dates, cinematic soundtracks, ticketmaster face value exchange, ethical ticket resaleComment

THE THE Release Ensoulment

Taylor Ohrynthe the, Ensoulment album, first studio album in 25 years, Matt Johnson, Warne Livesey, Ensouled world tour, North American tour dates, Beacon Theatre NYC, Shrine Auditorium LA, 2024 tour, alternative rock, art rock, emotional complexity, new album release, B-sides, Frozen Clouds, Lonely Planet in Megalopolis, UK tour, European tour, sold-out tour dates, cinematic soundtracks, ticketmaster face value exchange, ethical ticket resaleComment
THE THE Release Ensoulment
Taylor OhrynTHE THE, Ensoulment album, Some Days I Drink My Coffee By The Grave Of William Blake, Matt Johnson, Warne Livesey, Cinéola, earMUSIC, Tim Pope, William Blake, London songs, world-wide tour 2024, North American tour, Beacon Theatre NYC, Shrine Auditorium LA, Tabernacle Atlanta, The Fillmore Philadelphia, Paramount Theatre Seattle, Sydney Opera House, Melbourne Palais Theatre, Fortitude Music Hall Brisbane, Sentrum Scene Oslo, Alexandra Palace London, alternative rock, 7" vinyl, Andy Dog artwork, post-punk, cinematic sound, The Beat(en) Generation, Helpline Operator, Barrie Cadogan, DC Collard, James Eller, Earl Harvin, Sonya Cullingford, Gillian GloverComment

THE THE Release New Single “Some Days I Drink My Coffee By The Grave Of William Blake”

Taylor OhrynTHE THE, Ensoulment album, Some Days I Drink My Coffee By The Grave Of William Blake, Matt Johnson, Warne Livesey, Cinéola, earMUSIC, Tim Pope, William Blake, London songs, world-wide tour 2024, North American tour, Beacon Theatre NYC, Shrine Auditorium LA, Tabernacle Atlanta, The Fillmore Philadelphia, Paramount Theatre Seattle, Sydney Opera House, Melbourne Palais Theatre, Fortitude Music Hall Brisbane, Sentrum Scene Oslo, Alexandra Palace London, alternative rock, 7" vinyl, Andy Dog artwork, post-punk, cinematic sound, The Beat(en) Generation, Helpline Operator, Barrie Cadogan, DC Collard, James Eller, Earl Harvin, Sonya Cullingford, Gillian GloverComment
THE THE Release New Single “Some Days I Drink My Coffee By The Grave Of William Blake”
Taylor OhrynEnsoulment, Linoleum Smooth To The Stockinged Foot, Matt Johnson, Warne Livesey, Sonya Cullingford, Terry Edwards, Gillian Glover, Danny Cummings, nascent bio-security state, hospital bed lyrics, morphine influence, Covid crisis, surreal track, hallucinogenic music, musical improvisation, alienation themes, post-truth era, rise of AI, hopeful album, worldwide tour, North American tour, Atlanta, Tabernacle, Durham, Durham Performing Arts, Washington, The Anthem, Philadelphia, The Fillmore, New York, Beacon Theatre, Boston, Orpheum Theatre, Montreal, MTELUS, Toronto, Massey Hall, Detroit, Masonic Cathedral Theatre, Chicago, The Salt Shed, St. Paul, Palace Theatre, Denver, Mission Ballroom, Salt Lake City, Eccles Theater, Seattle, Paramount Theatre, Portland, Roseland Theater, Vancouver, Orpheum, Oakland, Fox Theater, Los Angeles, Shrine Auditorium, Cambridge, Cambridge Junction, Norwich, The Waterfront Norwich, Holmfirth, Picturedrome, Dublin, National Museum Of Ireland, Oslo, Sentrum Scene, Stockholm, Filadelfia, Copenhagen, Store Vega, Berlin, Huxleys, Köln, Carlswerk Victoria, Brussels, Ancienne Belgique, Antwerp, De Roma, Amsterdam, Paradiso, Edinburgh, Usher Hall, Wolverhampton, The Civic At The Halls, London, Alexandra Palace, Manchester, O2 Apollo, Brixton, O2 Academy Brixton, Auckland, Kiri Te Kanawa Theatre, Melbourne, Palais Theatre, Adelaide, Hindley Street Music Hall, Sydney, Sydney Opera House, Brisbane, Fortitude Music Hall, Perth, Fremantle Arts CentreComment

THE THE RELEASE “LINOLEUM SMOOTH TO THE STOCKINGED FOOT”

Taylor OhrynEnsoulment, Linoleum Smooth To The Stockinged Foot, Matt Johnson, Warne Livesey, Sonya Cullingford, Terry Edwards, Gillian Glover, Danny Cummings, nascent bio-security state, hospital bed lyrics, morphine influence, Covid crisis, surreal track, hallucinogenic music, musical improvisation, alienation themes, post-truth era, rise of AI, hopeful album, worldwide tour, North American tour, Atlanta, Tabernacle, Durham, Durham Performing Arts, Washington, The Anthem, Philadelphia, The Fillmore, New York, Beacon Theatre, Boston, Orpheum Theatre, Montreal, MTELUS, Toronto, Massey Hall, Detroit, Masonic Cathedral Theatre, Chicago, The Salt Shed, St. Paul, Palace Theatre, Denver, Mission Ballroom, Salt Lake City, Eccles Theater, Seattle, Paramount Theatre, Portland, Roseland Theater, Vancouver, Orpheum, Oakland, Fox Theater, Los Angeles, Shrine Auditorium, Cambridge, Cambridge Junction, Norwich, The Waterfront Norwich, Holmfirth, Picturedrome, Dublin, National Museum Of Ireland, Oslo, Sentrum Scene, Stockholm, Filadelfia, Copenhagen, Store Vega, Berlin, Huxleys, Köln, Carlswerk Victoria, Brussels, Ancienne Belgique, Antwerp, De Roma, Amsterdam, Paradiso, Edinburgh, Usher Hall, Wolverhampton, The Civic At The Halls, London, Alexandra Palace, Manchester, O2 Apollo, Brixton, O2 Academy Brixton, Auckland, Kiri Te Kanawa Theatre, Melbourne, Palais Theatre, Adelaide, Hindley Street Music Hall, Sydney, Sydney Opera House, Brisbane, Fortitude Music Hall, Perth, Fremantle Arts CentreComment
THE THE RELEASE “LINOLEUM SMOOTH TO THE STOCKINGED FOOT”