Adelaide
Taylor OhrynEnsoulment, Linoleum Smooth To The Stockinged Foot, Matt Johnson, Warne Livesey, Sonya Cullingford, Terry Edwards, Gillian Glover, Danny Cummings, nascent bio-security state, hospital bed lyrics, morphine influence, Covid crisis, surreal track, hallucinogenic music, musical improvisation, alienation themes, post-truth era, rise of AI, hopeful album, worldwide tour, North American tour, Atlanta, Tabernacle, Durham, Durham Performing Arts, Washington, The Anthem, Philadelphia, The Fillmore, New York, Beacon Theatre, Boston, Orpheum Theatre, Montreal, MTELUS, Toronto, Massey Hall, Detroit, Masonic Cathedral Theatre, Chicago, The Salt Shed, St. Paul, Palace Theatre, Denver, Mission Ballroom, Salt Lake City, Eccles Theater, Seattle, Paramount Theatre, Portland, Roseland Theater, Vancouver, Orpheum, Oakland, Fox Theater, Los Angeles, Shrine Auditorium, Cambridge, Cambridge Junction, Norwich, The Waterfront Norwich, Holmfirth, Picturedrome, Dublin, National Museum Of Ireland, Oslo, Sentrum Scene, Stockholm, Filadelfia, Copenhagen, Store Vega, Berlin, Huxleys, Köln, Carlswerk Victoria, Brussels, Ancienne Belgique, Antwerp, De Roma, Amsterdam, Paradiso, Edinburgh, Usher Hall, Wolverhampton, The Civic At The Halls, London, Alexandra Palace, Manchester, O2 Apollo, Brixton, O2 Academy Brixton, Auckland, Kiri Te Kanawa Theatre, Melbourne, Palais Theatre, Adelaide, Hindley Street Music Hall, Sydney, Sydney Opera House, Brisbane, Fortitude Music Hall, Perth, Fremantle Arts CentreComment

THE THE RELEASE “LINOLEUM SMOOTH TO THE STOCKINGED FOOT”

Taylor OhrynEnsoulment, Linoleum Smooth To The Stockinged Foot, Matt Johnson, Warne Livesey, Sonya Cullingford, Terry Edwards, Gillian Glover, Danny Cummings, nascent bio-security state, hospital bed lyrics, morphine influence, Covid crisis, surreal track, hallucinogenic music, musical improvisation, alienation themes, post-truth era, rise of AI, hopeful album, worldwide tour, North American tour, Atlanta, Tabernacle, Durham, Durham Performing Arts, Washington, The Anthem, Philadelphia, The Fillmore, New York, Beacon Theatre, Boston, Orpheum Theatre, Montreal, MTELUS, Toronto, Massey Hall, Detroit, Masonic Cathedral Theatre, Chicago, The Salt Shed, St. Paul, Palace Theatre, Denver, Mission Ballroom, Salt Lake City, Eccles Theater, Seattle, Paramount Theatre, Portland, Roseland Theater, Vancouver, Orpheum, Oakland, Fox Theater, Los Angeles, Shrine Auditorium, Cambridge, Cambridge Junction, Norwich, The Waterfront Norwich, Holmfirth, Picturedrome, Dublin, National Museum Of Ireland, Oslo, Sentrum Scene, Stockholm, Filadelfia, Copenhagen, Store Vega, Berlin, Huxleys, Köln, Carlswerk Victoria, Brussels, Ancienne Belgique, Antwerp, De Roma, Amsterdam, Paradiso, Edinburgh, Usher Hall, Wolverhampton, The Civic At The Halls, London, Alexandra Palace, Manchester, O2 Apollo, Brixton, O2 Academy Brixton, Auckland, Kiri Te Kanawa Theatre, Melbourne, Palais Theatre, Adelaide, Hindley Street Music Hall, Sydney, Sydney Opera House, Brisbane, Fortitude Music Hall, Perth, Fremantle Arts CentreComment
THE THE RELEASE “LINOLEUM SMOOTH TO THE STOCKINGED FOOT”