Taylor OhrynSeptember 29, 2025Savannah Pope baroque pop, Savannah Pope flamenco influence, Savannah Pope avant pop, Savannah Pope cinematic art rock, Savannah Pope Los Angeles artist, Savannah Pope operatic vocals, Savannah Pope Andy Bell tour, Andy Bell Basement East Nashville, Andy Bell Buckhead Theatre Atlanta, Andy Bell Revolution Fort Lauderdale, Andy Bell Durham Performing Arts Center, Andy Bell Lincoln Theatre Washington DC, Andy Bell Queen Elizabeth Theatre Toronto, Andy Bell Gramercy Theatre New York, Andy Bell Roxian Theatre Pittsburgh, Andy Bell Wind Creek Event Center Bethlehem, Andy Bell The Vogel Red Bank, Andy Bell The Wilbur Boston, Andy Bell House of Blues Cleveland, Andy Bell Metro Chicago, Andy Bell Bogart's Cincinnati, Andy Bell Egyptian Room Indianapolis, Andy Bell Orpheum Theater New Orleans, Andy Bell Aztec Theater San Antonio, Andy Bell Majestic Theater Dallas, Andy Bell Tower Theatre Oklahoma City, Andy Bell Summit Music Hall Denver, Andy Bell The Marquis Park City, Andy Bell Crest Theatre Sacramento, Andy Bell Guild Theatre Menlo Park, Andy Bell Palace of Fine Arts San Francisco, Andy Bell Newmark Theatre Portland, Andy Bell Vogue Theatre Vancouver, Andy Bell Showbox at the Market Seattle, Andy Bell Harrah's Lake Tahoe Stateline, Andy Bell Van Buren Phoenix, Andy Bell Music Box San Diego, Andy Bell Fonda Theatre Los AngelesComment

Pop Disruptor Savannah Pope Drops New Single + Tour Announcement

Spotify

Savannah Pope’s most vulnerable and ambitious work yet, a baroque, flamenco-tinged confessional that grapples with the paradox of love long desired but impossible to fully hold. With rhythmic flourishes that nod to her global influences and an emotional core that recalls artists like Lorde, Leonard Cohen, Sofia Isella, and Muse, the track is a haunting, visceral journey.

Savannah describes the single as part of a larger EP that tackles identity, repression, and survival through lush arrangements and cinematic storytelling: “These are the kinds of things you can’t just say out loud. You need a song to say them.”
Savannah Pope makes the kind of hauntingly unique songs you feel before truly understanding. The Los Angeles-based artist, known for her operatic vocals, stunning visuals, and unapologetically raw songwriting, crafts songs that live somewhere between cinematic art rock, poetic-indie, and avant-pop spectacle.

Her forthcoming EP continues the evolution that began with her breakout project Pandemonium, delving even deeper into the vulnerable, and often unspeakable, parts of the human experience.Savannah's journey to music was anything but linear. She first learned guitar in reform school, a place of confinement where stolen moments of creativity became her only escape. In college, she studied painting in Barcelona, later dropping out of Pratt in Brooklyn and returning to LA feeling untethered. A spontaneous decision to jump onstage at an open mic night changed everything. “I felt a strange urge in the pit of my stomach,” she says. “I borrowed someone’s guitar and just went for it. The response was electric. I was hooked.”Several years of performing in bands followed; Loud, chaotic, and formative. Her voice transformed to command space among the noise. But just as her own band began gaining traction, Savannah was hit by a car, rendering her unable to walk for months. Addiction crept in. Music, once again, became the lifeline. An insurance settlement gave her the funds to record her debut album, which launched her solo project, a self-directed, genre-blurring universe of sound and vision. Savannah’s work is deeply thematic, driven by personal experience and a surrealist lens.

Her upcoming EP (still in production) is shaping into a baroque, emotionally charged collection that explores feminine identity, trauma, and the tension between societal perception and internal truth. “These are the kinds of things you can’t just say out loud,” she notes. “You need a song to say them.” The single “Terrible Thing” encapsulates this ethos. Inspired in part by her travels back to Spain and a rekindled love for Flamenco, the track captures the disorienting experience of receiving the love you've longed for but can’t fully accept. “It’s about needing something you have no place to put,” she explains. Rhythmic flourishes nod to her global influences, while the emotional resonance recalls such diverse artists as Lorde, Leonard Cohen, Sofia Isella, and Muse.

Other tracks, like “Panopticon,” draw sonic influence from Florence + The Machine, Lana Del Rey, and Bowie, an artist whose theatricality and bravery continue to inform Savannah’s approach. Co-writing with collaborators like Adam Gimenez and working with producers such as Joshua Sadlier-Brown, and All Made Up, Savannah treats each recording session like an experiment in emotional alchemy. Savannah’s immersive artistry extends far beyond the studio. She designs her own costumes, directs and edits her music videos, and creates all accompanying visual material. Her Instagram has drawn millions of views for videos like “Melancholic Goddess,” and her sold-out release show for Pandemonium, funded by a wildly successful crowdfund, cemented her as one of LA’s most magnetic underground performers.

Beyond the music, she’s an obsessive crossword puzzle solver (and champion-level Boggle trash-talker), an avid reader, and a cinephile who seeks out the weirdest films she can find. Her passions include immigrant and reproductive rights, animal advocacy, and supporting other marginalized voices through her platform.

At its heart, Savannah’s music is a reckoning, with the truths we bury, the wounds we dress in silence. It dares to look where others turn away, and in doing so, it offers liberation. “I want people to embrace the parts of themselves they’ve been taught to hide,” she says. “And to stop demanding that others do the same.”

Tour Dates supporting Andy Bell (Erasure)

October 3rd - Nashville, TN - Basement East (USA)
October 7th - Atlanta, GA - Buckhead Theatre (USA)
October 10th - Fort Lauderdale, FL - Revolution (USA)
October 11th - Fort Lauderdale, FL - Revolution (USA)
October 14th - Durham, NC - Durham Performing Arts Center (USA)
October 17th - Washington, DC - Lincoln Theatre (USA)
October 18th - Washington, DC - Lincoln Theatre (USA)
October 21st - Toronto, ON - Queen Elizabeth Theatre (Canada)
October 23rd - New York, NY - Gramercy Theatre (USA)
October 24th - New York, NY - Gramercy Theatre (USA)
October 25th - New York, NY - Gramercy Theatre (USA)
October 28th - Pittsburgh, PA - Roxian Theatre (USA)
October 29th - Bethlehem, PA - Wind Creek Event Center (USA)
October 31st - Red Bank, NJ - The Vogel (USA)
November 1st - Boston, MA - The Wilbur (USA)
November 4th - Cleveland, OH - House of Blues (USA)
November 7th - Chicago, IL - Metro (USA)
November 8th - Chicago, IL - Metro (USA)
November 9th - Cincinnati, OH - Bogart's (USA)
November 11th - Indianapolis, IN - Egyptian Room (USA)
November 13th - New Orleans, LA - Orpheum Theater (USA)
November 14th - San Antonio, TX - Aztec Theater (USA)
November 15th - Dallas, TX - Majestic Theater (USA)
November 18th - Oklahoma City, OK - Tower Theatre (USA)
November 20th - Denver, CO - Summit Music Hall (USA)
November 21st - Park City, UT - The Marquis (USA)
November 22nd - Park City, UT - The Marquis (USA)
November 25th - Sacramento, CA - Crest Theatre (USA)
November 26th - Menlo Park, CA - Guild Theatre (USA)
November 28th - San Francisco, CA - Palace of Fine Arts (USA)
November 29th - San Francisco, CA - Palace of Fine Arts (USA)
December 2nd - Portland, OR - Newmark Theatre (USA)
December 3rd - Vancouver, BC - Vogue (Canada)
December 4th - Seattle, WA - Showbox at the Market (USA)
December 6th - Stateline, NV - Harrah's Lake Tahoe (USA)
December 9th - Phoenix, AZ - Van Buren (USA)
December 10th - San Diego, CA - Music Box (USA)
December 12th - Los Angeles, CA - The Fonda Theater (USA)
December 13th - Los Angeles, CA - The Fonda Theater (USA)