Battlefield 6 Main Theme by Henry Jackman — Out Now!
EA MUSIC AND HOLLYWOOD RECORDS ANNOUNCE
HENRY JACKMAN AS COMPOSER FOR
BATTLEFIELD 6
“BATTLEFIELD 6 MAIN THEME”
OUT NOW ON DIGITAL PLATFORMS
FULL ORIGINAL VIDEO GAME SOUNDTRACK OUT OCTOBER 10
PRE-SAVE/ADD: SPOTIFY | APPLE MUSIC | AMAZON
STREAM “BATTLEFIELD 6 MAIN THEME”
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(Burbank, CA – September 29, 2025) – Hollywood Records and EA Music are proud to unveil the “Battlefield 6 Main Theme,” the second track from the highly anticipated Battlefield 6 (Original Video Game Soundtrack), composed by renowned British composer Henry Jackman (Captain America: The Winter Soldier, X-Men: First Class, Jumanji).
“Battlefield 6 Main Theme” sets the tone for Jackman’s bold, cinematic score reflecting the scale, chaos and adrenalin rush of EA’s Battlefield 6 – one of the most anticipated video game launches of the year. “Battlefield 6 Main Theme” is out now on all major digital platforms.
Battlefield 6 (Original Video Game Soundtrack) is set for release on October 10, 2025.
In addition to Jackman’s score, the soundtrack features the first new music in four years from multi-platinum powerhouse Limp Bizkit. Their track, “Making Love to Morgan Wallen,” already #1 on multiple charts including Billboard's Hard Rock chart--the band's first #1 since 2011--has been hailed as “deliciously weird” and “a classic Bizkit banger,” delivers a surprising pop-culture collision to the soundtrack. The album also includes the bombastic “Battlefield: The After-party (ft. Limp Bizkit)” an unexpected and electrifying collaboration between Jackman and the band. Fusing, Jackman’s driving soundscapes and Limp Bizkit’s audacious return, the Battlefield 6 soundtrack has the power to resonate far beyond the gaming world.
Listen to “Making Love to Morgan Wallen” HERE.
Battlefield 6 (Original Video Game Soundtrack)
Tracklisting.
1. Battlefield 6 Main Theme
2. A Changed World
3. Ambush
4. Unconquerable Spirit
5. The Dust Settles
6. Always Knew You Were a Survivor
7. Halo Jump
8. Storming the Beach
9. Gibraltar Offensive
10. Check Your Corners
11. Brooklyn Assault
12. Break the Siege
13. Strike from the Shadows
14. Some Men Have to Play the Hero
15. Insurmountable Odds
16. The Rise of PAX Armata
17. Dagger 13
18. Tying Up Loose Ends
19. The Battle’s Never Over
20. Clear and Hold
21. Boots on the Ground
22. Taking Sectors
23. Battlefield 6 “Warsaw” Theme
24. Making Love to Morgan Wallen (Limp Bizkit)
25.Battlefield: The After-party (ft. Limp Bizkit)
ABOUT HENRY JACKMAN
With a unique blend of classical training and a background in electronic music production, Henry Jackman has established himself as one of today’s leading film composers. His ability to fuse orchestral grandeur with modern, electronic elements has allowed him to create distinctive scores across a wide variety of genres and cinematic styles.
Jackman grew up in the southeast of England, where he began composing his first symphony at the age of six. He studied classical music at Oxford and sang in the St. Paul’s Cathedral Choir—but simultaneously became involved in the underground rave scene and began producing popular electronica music and dance remixes, eventually working with artists such as Seal and The Art of Noise.
In 2006, Jackman caught the attention of film composers Hans Zimmer and John Powell, which led to him writing additional music for Powell on Kung Fu Panda and for Zimmer on The Dark Knight, The Da Vinci Code, and Pirates of the Caribbean. His diverse background in both classical and electronic music made him a perfect fit for these genre-blurring soundtracks, which rapidly led to scoring blockbuster films on his own. His first solo feature film was Monsters vs. Aliens, directed by Rob Letterman.
“I’ve spent a lot of time working in the record industry,” says Jackman, “and for my money, being a film composer is way more fun. You can be working on X-Men, and then a movie set in 17th-century Italy. It’s not about showing off what you think is cool or what you want to hear, but ‘what is this movie about, and what would best serve it?’ That process just leads to strange and remarkable places, often combining the unexpected — from orchestral grandeur to electronic undertones — to perfectly suit the world of the film.”
His most recent works include Amazon Studios' Christmas film Red One and Netflix’s The Gray Man from The Russo Brothers, starring Ryan Gosling and Chris Evans. He also scored Jumanji 3, a continuation of the magical board game adventure story, and Detective Pikachu, following the story of the beloved Pokémon character Pikachu, starring Ryan Reynolds, as well as Ralph Breaks the Internet, which was nominated for Best Animated Feature. His other diverse credits include The Russo Brothers’ Cherry, Ron’s Gone Wrong, Marvel’s The Falcon and the Winter Soldier, Captain America: Civil War, Kong: Skull Island, Jack Reacher: Never Go Back, Big Hero 6, and Kingsman: The Golden Circle.
Looking ahead, Jackman continues to push the boundaries of film scoring, creating music that not only enhances the cinematic experience but also stands as a testament to his versatility and innovative spirit
ABOUT DISNEY MUSIC GROUP
Disney Music Group (DMG) spearheads The Walt Disney Company’s global music ventures, encompassing recorded music, publishing, and live concerts. As the home of iconic labels like Walt Disney Records and Hollywood Records, DMG boasts an extensive portfolio that includes soundtracks from some of the most beloved franchises in entertainment—Disney, Walt Disney Animation, Marvel Studios, Lucasfilm, Pixar, Searchlight Pictures, 20th Century Studios, and Disney+.
A trailblazer in the industry, DMG has launched award-winning and chart-topping albums, including the Grammy®-winning Encanto, the Oscar®-winning Frozen, and the fan-favorite Guardians of the Galaxy mixtapes. Its rich legacy extends to celebrated compositions from WandaVision and The Mandalorian, iconic scores like Soul (Oscar® and Grammy® winner), Black Panther, Coco, and Moana, as well as hit video games such as Spider-Man 2, Star Wars Jedi: Survivor (Grammy® winner), and Star Wars Outlaws.
Recent releases include Freakier Friday, Fantastic 4: First Steps, Zombies 4: Dawn of the Vampires, Thunderbolts, Lilo & Stitch, Snow White, Moana 2, Mufasa: The Lion King, Inside Out 2, and Deadpool & Wolverine, alongside television soundtracks for Shōgun, Agatha All Along, Only Murders in the Building, and Descendants: The Rise of Red. Looking ahead, DMG is set to unveil highly anticipated soundtracks for Electric Bloom, Vampirina, Avatar 3 and Zootopia 2.
With a catalog spanning over eight decades, DMG’s music has become a cornerstone of global pop culture. From timeless classics like Snow White, Beauty and the Beast, and Mary Poppins to modern epics such as Avatar and The Lion King, DMG’s repertoire continues to define cinematic music history.
Through Disney Concerts, DMG enchants audiences worldwide, producing and licensing thousands of live performances such as Descendants/Zombies: Worlds Collide Tour, Star Wars in Concert, The Nightmare Before Christmas, Disney on Classic, Pixar in Concert, The Lion King 30th Anniversary, and Marvel’s Infinity Saga. These spectacular productions celebrate the music that has shaped storytelling for generations.
DMG also leads in music innovation and discovery with curated playlists, its dedicated SiriusXM station (Channel 133), and the Disney Music Emporium (www.disneymusicemporium.com), an online hub for exclusive vinyl and collector’s editions. Its acclaimed The Big Score video series highlights the composers behind DMG’s most iconic soundtracks, offering a behind-the-scenes look at the artistry that brings music to life.
Beyond soundtracks, DMG represents a dynamic roster of artists and songwriters, including Queen (in the U.S. and Canada), Andy Grammer, Sofia Carson, TINI, kenzie, almost monday, Freya Skye, Adrian Lyles, Dewain Whitmore, Tony Ferrari, Lenii, Paris Carney, Rose Tan, and others.
Setting the gold standard in music and entertainment, Disney Music Group remains at the heart of the soundtrack to our lives, inspiring and connecting audiences across generations.
