We check out Jay Som show last night at the El Club,

Melina Duterte is a master of voice: Hers are dream pop songs that hint at a universe of her own creation. Recording as Jay Som since 2015, Duterte's world of shy, swirling intimacies always contains a disarming ease, a sky-bent sparkle and a grounding indie-rock humility. In an era of burnout, the title track of her 2017 breakout, Everybody Works, remains a balm and an anthem.

Duterte's life became a whirlwind in the wake of Everybody Works. After spending her teen years and early 20s exploring an eclectic array of musical styles-studying jazz trumpet as a child, carrying on her Filipino family tradition of spirited karaoke, and quietly recording indie-pop songs in her bedroom alone-that accomplished album found her playing festivals around the world, sharing stages with the likes of Paramore, Death Cab for Cutie, and Mitski.

Opener: Boy Scouts

Boy Scouts makes the kind of music that hits like good advice from a beloved friend. It's generously warm and inviting, built atop her open, searching voice, but it doesn't shy away from tough emotional truths. Vick's songs survey the damage that can come from loving other people with curiosity and grace. Her new album, Free Company, her first for ANTI-Records, is her most vital and incisive work yet, a stunningly tuneful rumination on heartbreak and loss that is always galloping toward the horizon.