Taylor OhrynApril 23, 2025Comment

Pretty Rude release new single & video "Call Me, Ishmael"

Taylor OhrynApril 23, 2025Comment

Pretty Rude (members of Jimmy Montague, Perspective, a lovely hand to hold) release new single & video "Call Me, Ishmael"

Debut Album Ripe Out May 16 on SideOneDummy Records

Stream: "Call Me, Ishmael" on All Digital Platforms

Stream: “Things I Do" on All Digital Platforms

Brooklyn-based band Pretty Rude will release their highly anticipated debut album, Ripe, on May 16 via SideOneDummy Records. The record, which was produced by the band and mixed by Jake Sinclair (Weezer’s White Album), with mastering by Zach Weeks at God City, will be available digitally and as a limited-edition vinyl and can be pre-ordered now.

Today, the band is their newest single, “Call Me, Ishmael,” alongside an accompanying music video, directed by Luke LeCount and features labelmates Carpool. The track premiered at Magnet and is now streaming on all platforms.

About the song, frontman James Palko says:
“'Call Me, Ishmael' was the first song I wrote for the record. Lyrically, it's about that dread you feel when starting a new job. Every few weeks I think about quitting music, getting a full-time job, and finally making enough to cover rent—just to be able to breathe. But for musicians, you often rely on low-paying part-time work you can drop at a moment's notice for tour. Having something stable is tempting, but it can also feel like a prison. This song is about weighing the cost of giving up music for ‘three hots and a cot.’

“Call Me, Ishmael” follows the album’s previous singles “Things I Do” and “Debbie & Lynn,” both available now on all streaming platforms.

Formed in the early days of the pandemic, Pretty Rude began as an “online theoretical project,” as frontman James Palko describes it. With no plans beyond providing a creative outlet amid the end of his other musical ventures, Taking Meds and Perspective, a lovely hand to hold, Pretty Rude quickly evolved into a full-fledged band thanks to the spark of collaboration with bandmate Matt Cook.

There’s much more to Ripe than meets the ear. Its eight tracks stretch over 37 minutes—just 19 seconds more, to be precise—and are packed with meaning, history, literary references, musical tributes, and a flair for the unconventional. The album balances reverence for both the past and present, and while its complex ideas could make it seem daunting, it’s far from pretentious. It’s music made freely, from the heart, by people who understand music’s power.

Ripe is an ambitious and smart record that reveals a chemistry between its members that’s rare for a new band. Pretty Rude was originally conceived as a diversion, a "theoretical project" after the end of Palko’s other bands. “A lot of the songs are about trying to figure out who I am after those projects ended.” It turns out, Palko wasn’t ready to be done with music. Writing alongside Cook reignited his passion, and the project soon grew into something more.

“Going into the studio to make the record felt like, 'This is why I like doing this,'” Palko says. “To process the end of my bands, I dove into writing and demoing new songs, and it’s clear I wasn’t ready to hang it up.”

The result is Ripe, a record that is both intellectually and emotionally engaging, paying tribute to influences such as pop and pop-rock legends Randy Newman, The Beach Boys, and early Queen. It also channels the energy of bands like early, good Weezer and Joyce Manor, especially in tracks like “Call Me, Ishmael” and “Debbie & Lynn,” the latter being an upbeat anthem filled with sass and attitude. Though its joyful pop sensibilities shine through, Ripe also grapples with heavy themes, offering an emotional yet fun listening experience that reflects the chaotic world around it.

“I’ve always been invested in being a tracking engineer,” Palko says. “I enjoy problem-solving and seeing the puzzle come together, step by step. It’s a cool process to create the puzzle as you go.”

Humor is another essential element in the making of Ripe. “When I write, it feels like you should be working towards a punchline,” Palko explains. “It’s not about writing comedy songs, but I try to incorporate humor the way my favorite writers do, like Jarvis Cocker or Randy Newman.” The album is rich with literary references, from “Call Me, Ishmael” (a nod to Moby-Dick) to “Debbie & Lynn,” which draws inspiration from a Billy Collins poem, and “The Unconfidence Man,” a play on Melville’s The Confidence-Man. While the songs are layered with these references, they remain accessible and engaging.

“I’m notorious for not writing choruses,” Palko admits. “But for this record, we made sure every song had hooks. There was a lot of space to expand simple parts in a way that makes them feel more interesting than they already are.”

Ripe is, above all, an album full of surprises. Each listen reveals something new, whether in the lyrics or the music, like an old box that you’ve forgotten about, filled with forgotten pieces of your past. Dive in and discover what’s inside.