What a way to kick off the end of summer, Joywave hit’s with not only a one/two motion but a night we will never forget. With that we have to start at the beginning, which means we are in line at the legendary St. Andrew’s Music Hall. The intimate night was filled with dancing and sing from not only the band but the entire venue. It was quite entertaining to see this many people shouting out lyrics to even their newest songs off their latest album. The night started off with Hunny, who amp up the crowd follow by a medley of ragtime tunes.

Just as we waited to hear their final intro, we were greeted to them singing Graffiti Planet off the bat follow by Scared and All They Way. From the photo we took of the setlist, they defiantly added new songs to the set list. From birthday messages to family in the crowd, you can honestly say Joywave treats the city like a vacation home. Last time we saw them was when they teamed up with Sir Sly, so to see them on their own was a treat. Cannot wait to see what’s next for them.

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Permanent Pleasure World Tour 2024 dates

09.16 | St. Louis, MO @ Delmar Hall

09.17 | Chicago, IL @ Thalia Hall

09.18 | Omaha, NE @ Slowdown

09.20 | Denver, CO @ Gothic Theatre

09.21 | Salt Lake City, UT @ Soundwell

09.23 | Seattle, WA @ The Showbox

09.24 | Portland, OR @ Revolution Hall

09.26 | San Francisco, CA @ Great American Music Hall

09.27 | San Diego, CA @ The Observatory North Park

09.29 | Los Angeles, CA @ The Regent Theatre

09.30 | Phoenix, AZ @ Crescent Ballroom

10.02 | Austin, TX @ Emo’s

10.03 | Dallas, TX @ Ferris Wheelers

10.04 | Houston, TX @ Last Concert Cafe

10.05 | New Orleans, LA @ House Of Blues

10.08 | Atlanta, GA @ The Masquerade - Hell

10.10 | Washington, DC @ 9:30 Club

10.11 | Raleigh, NC @ Lincoln Theatre

10.12 | Charlotte, NC @ The Underground

10.13 | Richmond, VA @ The Broadberry

10.15 | Boston, MA @ Paradise Rock Club

10.16 | New York, NY @ Irving Plaza

10.17 | Philadelphia, PA @ Brooklyn Bowl Philly

10.18 | Buffalo, NY @ Town Ballroom

Following the North American leg, Joywave will head to Europe for additional tour dates:

10.30 | Brighton, UK @ Green Door Store

10.31 | Oxford, UK @ Bullingdon

11.01 | Glasgow, UK @ King Tuts

11.02 | Manchester, UK @ YES (Pink Room)

11.03 | Sheffield, UK @ Sidney & Matilda

11.05 | Nottingham, UK @ Bodega

11.06 | London, UK @ Scala

11.08 | Zurich, Switzerland @ Papiersaal

11.09 | Cologne, Germany @ Artheater

11.10 | Berlin, Germany @ Badehaus

11.12 | Copenhagen, Denmark @ Pumpehuset

11.13 | Eindhoven, Netherlands @ Effenaar KZ

11.14 | Utrecht, Netherlands @ De Helling

About Joywave

Joywave are at an exciting point in their career. Not only have the act survived the pressures of their major-label debut and the dreaded sophomore slump, they’ve established themselves as the kind of band that you’re as likely to hear at a hip record store as you are at the grocery store. That said, there’s a difference between ubiquity and evolution and with their fifth full-length Permanent Pleasure, Joywave—vocalist/multi-instrumentalist Daniel Armbruster, guitarist Joseph Morinelli and drummer Paul Brenner—lean into guitar and string sections without sacrificing the signature sound that’s endeared the band to countless fans, whether they know it or not, over the past eleven years. 

Rochester, New York, isn’t necessarily known for its bustling entertainment industry, but it is rich in culture and creativity. The trio’s hometown is integral not only to the theme of Permanent Pleasure (audio samples from 1984 historical compilation release, The Rochester Sesquicentennial, bookend the album), but also to Joywave’s overall identity. Despite international acclaim and major-label success, the band maintain a DIY work ethic that keeps them grounded in the present moment while always reaching toward the future. We go to our studio and make a record with total creative freedom, and we turn it in and the label tells us we did a great job,” Armbruster explains. This arrangement is a rarity in the music industry these days—but like all things Joywave, somehow it works out in a way that makes perfect sense for them.

Once again produced by Armbruster at the band’s own Rochester-based studio, The Joycave , Permanent Pleasure is an unfiltered vision of the band’s creativity that sees them stepping outside of their sonic comfort zone. “I think this is probably our least keyboard [heavy] record,” Armbruster explains, adding that in some ways Permanent Pleasure was a reaction to the more cohesive and linear construction of 2022’s Cleanse. “On Permanent Pleasure we blew everything apart again: We’re switching out drum components and everything we can between songs and freeing ourselves again from the box of ‘it has to be super cohesive’ because I always want to rage against what we did last time. But five records in, we’re a lot better at writing and recording, so it’s bringing back a little bit of the all-over vibe of the first record, but on the other side of the experience. We’ve gone through a wormhole.” 

That feeling of artistic liberation is the unifying sonic characteristic of the album, from the futuristic downtempo groove of “Sleepytime Fantasy” to the hypnotic dancefloor vibe of “Brain Damage.” Permanent Pleasure also sees the band expanding their own musical conventions, the most obvious being the fact that they enlisted an actual orchestra to play on these songs instead of relying solely on software as they have in the past. “We’ve always done virtual instruments before, but we wanted to have it real this time around, so we had the Rochester Philharmonic Orchestra play on five of these songs,” Morinelli, who wrote out the sheet music for them, explains. That amalgamation of electronic and organic instrumentation is evident on songs like “He’s Back,” which is political, personal, petrifying, and playful, seemingly all at once. 

However as much as Joywave are pushing toward the future with this album, there’s also an element of nostalgia present in these songs as the trio look back at what they’ve built since they began playing together as on shimmering pop songs like “Swimming In The Glow.” “That song harkens back to an era of Joywave before we were in the beam and before anyone really cared what we did;  it really draws lyrically on that time in my life of feeling like me, Paul and Joey had everything all together,” Armbruster explains. “Sonically, I think that song is a side of the band that I think people who have heard our 2012 EP Koda Vista know is there. It’s a side of the band that I think people who saw us in our very early days at local clubs like Bug Jar know is there, but I think it’s something that deserved to be in the spotlight.”

“I want to touch you but I’m scared,” Armbruster sings on the infectious single “Scared,” an ode to codependency that’s as much about connection as it is existential dread—and ultimately that dichotomy between humor and hopelessness lies at the core of Permanent Pleasure. “I think the job of an artist is to explore any side of being a person and self-awareness is a huge part of being a person,” Armbruster summarizes. “I think artists who ignore humor aren’t being true to themselves and it’s a huge part of who we are despite having thoughts on the record that are on the darker side of things. I feel like you have to wink a little bit to make it okay. You have to make a joke about the asteroid as the asteroid is about to hit.”